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The dress flitting about in the breeze while she futilely tries to hold it in place became an image that was sought after as the every definition of sexuality, and even in today’s much more vulgar world it is still an image that is used to espouse sexuality.The funny thing is that the scene in the movie is much different from the actual image that permeates the cultural landscape.That message never quite works, because the movie is too tame, the adulterous act is never consummated, the characters are far too likable and as I have said the camera and Wilder refuse to see Monroe as anything but a sexpot that every man should want and therefore their desires are justified.There are also earlier scenes that do further play into Wilder’s more misogynistic tendencies, such as Richard’s dream sequence with his wife where every woman on the planet fawns over him and he has to beat them off, literally.It’s hard to describe but her way of doing this is much different than that of other woman where it’s all too obvious that all they are offering is sex appeal.With Monroe there is obviously sex appeal but she also hints at more beneath the surface and that is very appealing.the age of the earth and the universe, and that includes the ones we have listed here.
Every moment Monroe is on screen the camera fawns over her, she is treated like a Goddess.
Screenplay By: George Axelrod & Billy Wilder Directed By: Billy Wilder Throughout recorded history certain images, phrases and people become entrenched in the public conscious.
In 1955 by wearing a dress and standing over a subway grate Marilyn Monroe became a sex symbol like no other.
Then there is the fact that every male character in is on the prowl, no matter their situation.
Wilder seems to want to create a scenario where men are hapless victims pulled to their inevitable fate by the irresistible wiles of women.
However, to draw this conclusion we have to assume that the rate of cratering has been the same in the past as it is now.