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Trail, Madson, and Miglin, however, carried the personal signature of what criminologists call a “pathological, sadistic sexual offender.”The killer’s trail ended on July 23, when a caretaker checking on an unoccupied houseboat anchored off Collins Avenue, less than three miles north of Versace’s mansion, discovered someone inside and heard a shot.He immediately notified police, who moved in a swat team and lobbed tear gas into the houseboat.That night, October 21, an eyewitness recalls, Cunanan was smugly pleased that Versace seemed to recognize him.“I know you,” Versace said, wagging a finger in the then 21-year-old’s direction. ” And Cunanan replied, “Thank you for remembering, Signor Versace.” It is not clear that there really was anything to remember, or that Andrew Cunanan had ever been near Versace’s house on Lake Como.Inside, he claims, were Cunanan, Versace, and San Francisco socialite Harry de Wildt. Right after one or two of these homicides, he probably goes to a gay bar in the afternoon when the news comes on and his face is on TV, and he’s sitting there drinking a beer and loving it.“Andrew called out, and we had a conversation on the side of the street,” Stubblefield says. I have never had the pleasure or displeasure of meeting Mr. You hide in plain view.”Antonio D’Amico, Versace’s longtime companion, who raced to the door of the Miami mansion within seconds of hearing the gunshots, about a.m.
Two of Cunanan’s alleged victims, Jeffrey Trail, 28, and David Madson, 33, looked as if they had walked off a Kellogg’s Corn Flakes box: from upright, loving, midwestern families, they were intelligent, handsome, and well liked.
In the end he reached an exclusive pinnacle that provided him with the celebrity he had always sought: he became America’s most wanted fugitive.
More than a dozen law-enforcement bodies, including the F. I., were seeking to question him not only about Versace’s murder but also about four others that took place between April 27 and May 9.
Or he could say of a work of art what year it had been painted, who had owned it through the centuries, what churches it had hung in. Cunanan’s story is a singular study in promise crushed.
Wherever he went, he craved the limelight and aspired to the top, whether through charm or falsehood.