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Mary Kay and Johnny, aired from 1947 to 1950, was the first sitcom broadcast on a network television in the United States and was the first program to show a couple sharing a bed, and the first series to show a woman's pregnancy on television.
I Love Lucy, which originally ran from 1951 to 1957 on CBS, was the most watched show in the United States in four of its six seasons, and was the first to end its run at the top of the Nielsen ratings (an accomplishment later matched only by The Andy Griffith Show in 1968 and Seinfeld in 1998) .
Although there have been a number of notable exceptions, Canadian television networks have generally fared poorly with their sitcom offerings, with relatively few Canadian sitcoms attaining notable success in Canada or internationally.
According to television critic Bill Brioux, there are a number of structural reasons for this: the shorter seasons typical of Canadian television production make it harder for audiences to connect with a program before its season has concluded, and put even successful shows at risk of losing their audience between seasons because of the longer waiting time before a show returns with new episodes; the more limited marketing budgets available to Canadian television networks mean that audiences are less likely to be aware that the show exists in the first place; and the shows tend to resemble American sitcoms, in the hope of securing a lucrative sale to an American television network, even though by and large the Canadian sitcoms that have been successful have been ones, such as Corner Gas or King of Kensington, that had a more distinctively Canadian flavour.
The show is one of only three shows to have its final season be the number one ranked show on television, the other two being I Love Lucy and Seinfeld.
In 1998, more than 5 million people a day watched the show's re-runs on 120 stations.
In 1997, the episodes "Coast-to-Coast Big Mouth" and "It May Look Like a Walnut" were ranked at 8 and 15 respectively on TV Guide's 100 Greatest Episodes of All Time.
Creator/producer Jackie Gleason revived The Honeymooners sporadically until 1978. Steven Sheehan explains the popularity of The Honeymooners as the embodiment of working-class masculinity in the character of Ralph Kramden, and postwar ideals in American society regarding work, housing, consumerism, and consumer satisfaction.
The series demonstrated visually the burdens of material obligations and participation in consumer culture, as well as the common use of threats of domestic violence in working class households.
In 2007 the STS released the first original domestic sitcom - "Daddy's Daughters" (there were only adaptation before), and in 2010 TNT released "Interns (sitcom)" - the first sitcom, filmed as a comedy (unlike dominated "conveyor" sitcoms).
Although styles of sitcom have changed over the years they tend to be based on a family, workplace or other institution, where the same group of contrasting characters is brought together in each episode.
During filming productions, the laugh track is usually prerecorded There have been few long-running Australian-made sitcoms, but many U. By 1986, UK comedies Bless This House and Are You Being Served?