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Angela, her colleague and friend Victor as well as her professional nemesis and former lover Nigel all set off to unravel the mystery. Playwright and archaeology buff Perloff penned the work after a trip to the Smithsonian where archaeologist Iris Cornelia Love spoke of her excavations at the temple of Aphrodite at Knidos. The protagonist of Luminescence Dating is Angela Hart, "an archeologist determined to find the Praxiteles Aphrodite, a seven-foot tall marble nude that aroused obsessions in 4th century B. before vanishing without a trace," according to a release. Stephen Barker Turner plays Nigel, while Ching Valdes Aran portrays Aphrodite.Just as archaeological artifacts hold clues to past civilizations, medical lecture tickets proffer admission to a much larger story.They help trace the evolution of medical education in America, from the founding of the first medical school in 1765, to a system that fostered an abundance of 19th-century substandard schools and practitioners, to reforms that paved the way for the first-rate medical training in the 20th century and beyond. Professors who issued the tickets and medical students who purchased them were individuals of diverse medical, historical, military, cultural and human interest, and accomplishment. Perloff has directed dozens of award‐winning productions for A. T., including the American premieres of works by Tom Stoppard, Harold Pinter, and Timberlake Wertenbaker, world premieres by Philip Kan Gotanda, Constance Congdon, and Mac Wellman, and new interpretations of Schiller, Webster, Euripides, Gorky, Gogol, and Molière. in classics and comparative literature from Stanford University and was a Fulbright Fellow at Oxford University. She was recently honored with France’s Chevalier de l’Ordre des Arts et des Lettres.
Known for directing innovative productions of classics and championing new writing for the theater, Perloff has also directed for A. She most recently directed a new Elektra for the Getty Villa in Los Angeles. Under Perloff's leadership, CSC won numerous OBIE Awards, including the 1988 OBIE for artistic excellence.
In 1986 she was named artistic director of the Off-Broadway Classic Stage Company (CSC), where she worked until becoming the artistic director of A. She served on the faculty of the Tisch School of the Arts at New York University for seven years. Master of Fine Arts Program; receipt of the 1996 Jujamcyn Theaters Award, honoring A. T.’s efforts to develop creative talent for the theater; a series of international collaborations, including The Virtual Stage and Electric Company Theatre's multi-media adaptation of Jean-Paul Sartre's No Exit, Robert Wilson and Tom Waits’ The Black Rider, Morris Panych and Wendy Gorling's The Overcoat, and Kneehigh Theatre's Brief Encounter; and the American premieres of plays by Tom Stoppard and Harold Pinter. Perloff’s play, Higher, was developed at New York Stage and Film and was presented at San Francisco’s Contemporary Jewish Museum in November 2010.
In 1993, Perloff directed the world premiere of Steve Reich and Beryl Korot’s opera The Cave at the Vienna Festival and Brooklyn Academy of Music. has been marked by the creation of a new core company of actors; revitalization of the acclaimed A. Her play Kinship was translated into French and performed in Paris in 2014, with Isabelle Adjani, making her return to the theater after a long absence, in the starring role.
also includes Marie Ndiaye's Hilda, the world premieres of Marc Blitzstein's No for an Answer and David Lang/Mac Wellman's The Difficulty of Crossing a Field, and the West Coast premiere of her own play The Colossus of Rhodes (Susan Smith Blackburn Award finalist). and Magic Theatre, and is published by Dramatists Play Service.
In 1993, she directed the world premiere of Steve Reich and Beryl Korot's opera The Cave at the Vienna Festival and Brooklyn Academy of Music.
core acting company members René Augesen and Gregory Wallace as Angela and Victor, respectively.